Previous studies include a Bachelor of Art HES-SO in Music from the Haute Ecole de Musique, Lausanne.
Awards and competitions include Génération Opéra Prize at the Nuits Lyriques de Marmande Competition (2023), 1st Prize de l’Hippodrome at the Grand Prix de la Voix of the Centre d’Art Lyrique de la Méditerannée (2023), 2nd Prize Woman at the Opéra en Arles Competition (2023), Encouragement Prize Michèle VOISINET at the Béziers Competition (2023), and Coup de Cœur Prize at the Opéra Jeunes Espoirs d’Avignon Competition (2021).
Repertoire at the DNOA includes Haydn La feldeltà premiata (Nerina), Ullmann Der Kaiser von Atlantis (Bubikopf), the European premiere of Benjamin Perry Wenzelberg’s Nighttown (The Nymph), Donizetti Il campanello (Serafina) and the title role in Leoš Janáček’s Příhody lišky Bystroušky (The Cunning Little Vixen).
Mathilde is currently represented by Backstage Opera Management.
Our team
DNOA students have the opportunity to work with a wide range of well-established and respected specialists from the international opera scene. These include vocal coaches and teachers, directors, conductors and agents as well as people from the field of cultural management and performance psychology who lead masterclasses, seminars and workshops.
The closing date for applications to join the programme in Autumn 2026 is Sunday 11. January 2026.