Previous studies at the Guildhall School of Music and Drama (Bachelor of Music in Vocal Studies).
Performance credits include Tenor Soloist Stravinsky Les Noces with English National Ballet, Lensky Tchaikovsky Eugene Onegin (Lensky) with Opera Holland Park, Mozart Die Zauberflöte (Tamino) and Britten Albert Herring (Mr Upfold) with Clonter Opera, Rossini Il barbiere di Siviglia (Almaviva) with Ulster Touring Opera and Barefoot Opera, Gilbert & Sullivan The Mikado (Nanki-Poo) and Iolanthe (Lord Tolloller) with Charles Court Opera, The Gondoliers (Marcello) with the National Gilbert & Sullivan Tour, Gounod La nonne sanglante (Rodolphe) and Marschner Der Vampyr (Aubrey) with Gothic Opera, Bizet Carmen (El Remendado) for Oxford Opera, Holst Savitri (Satyavan) with Hampstead Garden Opera, Offenbach Fé-ni-han Ba-ta-clan (Fé-ni-han) with West Green House Opera, Mozart Don Giovanni (Don Ottavio) with Opera Loki. Jack has also performed in the choruses of Garsington Opera, Grange Park Opera and Longborough Festival Opera.
Awards include The Joyce Budd Second Prize in the Kathleen Ferrier Bursary for Young Singers (2015).
Repertoire at the DNOA includes Susa Transformations (Singer #3), scenes from Strauß Die Fledermaus (Orlofsky), Rossini L’occasione fa il ladro (Ernestina), Monteverdi Il ritorno d’Ulisse in patria (Anfinomo), Brahms “Liebeslieder Walzer”.
Repertoire at the DNOA includes Susa Transformations (Singer #6), scenes from Strauß Die Fledermaus (Eisenstein), Rossini L’occasione fa il ladro (Eusebio), Monteverdi Il ritorno d’Ulisse in patria (Pisandro), Brahms “Liebeslieder Walzer”.
Our team
DNOA students have the opportunity to work with a wide range of well-established and respected specialists from the international opera scene. These include vocal coaches and teachers, directors, conductors and agents as well as people from the field of cultural management and performance psychology who lead masterclasses, seminars and workshops.
The Dutch National Opera Academy holds auditions each year.