Previous studies at Conservatorium van Amsterdam with Sasja Hunnego (Bachelor of Music with distinction)
Performance credits include Elle in Poulenc’s La voix humaine, Neptune in Pluto by Micheal Polo, Edith in Gilbert and Sullivan’s The pirates of Penzance, Cupido in Orpheus in de Onderwereld by Offenbach and Zerlina in Mozart’s Don Giovanni (understudy).
Other concerts include Nelsonmesse and Theresienmesse by Haydn and Requiem by Mozart with COV Heerenveen and contemporary productions by composer Mees Vervuurt for O. Festival Rotterdam and Tête à Tête London.
Studies supported by Miluška Duffková scholarship.
Repertoire at the DNOA includes Susa Transformations (Singer #1), scenes from Strauß Die Fledermaus (Adele), Monteverdi Il ritorno d’Ulisse in patria (Minerva), Brahms Liebeslieder Walzer, Haydn La fedeltá premiata and Weill Die Sieben Todsünden.
Our team
DNOA students have the opportunity to work with a wide range of well-established and respected specialists from the international opera scene. These include vocal coaches and teachers, directors, conductors and agents as well as people from the field of cultural management and performance psychology who lead masterclasses, seminars and workshops.
The closing date for applications to join the programme in Autumn 2026 is Sunday 11. January 2026.