Previous studies at The Royal Irish Academy of Music with Virginia Kerr, Andrew Synnott and Dearbhla Collins.
Performance credits include ‘Dominic the prince’ in Maconchy’s The Sofa, (RIAM), ‘Suor Genovieffa’ in Puccini’s Suor Angelica (Berlin Opera Academy), and ‘Sandmännchen’ in Humperdinck’s Hänsel und Gretel (Lyric Opera Ireland).
Further credits include recitals at Killaloe Chamber Music Festival,The Charles Wood Festival of Music, The National Concert Hall, The University Concert Hall, Limerick, The Hugh Lane Gallery, and Christ Church Cathedral, Dublin.
A frequent competition finalist and winner, Aimee is a recipient of the prestigious Veronica Dunne Bursary for Young Irish Singers, as well as The Count John McCormack Society Bursary. Aimee was a semi-finalist in The Kathleen Ferrier Awards at Wigmore Hall.
Repertoire at the DNOA include Amaranta in Haydn’s La Fedeltá Premiata and Clarina in Rossini’s La Cambiale di Matrimonio, Weill Die Sieben Todsünden (Anna I).
Our team
DNOA students have the opportunity to work with a wide range of well-established and respected specialists from the international opera scene. These include vocal coaches and teachers, directors, conductors and agents as well as people from the field of cultural management and performance psychology who lead masterclasses, seminars and workshops.
The closing date for applications to join the programme in Autumn 2026 is Sunday 11. January 2026.