Previous studies at The Royal Irish Academy of Music with Virginia Kerr, Andrew Synnott and Dearbhla Collins. Aimee is a recipient of the Excellence Scholarship awarded buy the Royal conservatory Den Haag for her studies with DNOA.
Performance credits include ‘Dominic the prince’ in Maconchy’s The Sofa, (RIAM), ‘Suor Genovieffa’ in Puccini’s Suor Angelica (Berlin Opera Academy), and ‘Sandmännchen’ in Humperdinck’s Hänsel und Gretel (Lyric Opera Ireland).
Further credits include recitals at Killaloe Chamber Music Festival,The Charles Wood Festival of Music, The National Concert Hall, The University Concert Hall, Limerick, The Hugh Lane Gallery, and Christ Church Cathedral, Dublin.
A frequent competition finalist and winner, Aimee is a Blackwater Valley Opera Fersival Bursary Award winner for 2025, recipient of the prestigious Veronica Dunne Bursary for Young Irish Singers, as well as The Count John McCormack Society Bursary. Aimee was a semi-finalist in The Kathleen Ferrier Awards at Wigmore Hall.
Repertoire at the DNOA include Amaranta in Haydn’s La Fedeltá Premiata, Clarina in Rossini’s La Cambiale di Matrimonio, Anna I in Kurt Weill’s Die Sieben Todsünden (Anna I), Serpina in Giovanni Battista Pergolesi’s La serva padrona, Molly Bloom in the European premiere of Benjamin Perry Wenzelberg’s Nighttown and the Vixen in Leoš Janáček’s Příhody lišky Bystroušky (The cunning little vixen).
Our team
DNOA students have the opportunity to work with a wide range of well-established and respected specialists from the international opera scene. These include vocal coaches and teachers, directors, conductors and agents as well as people from the field of cultural management and performance psychology who lead masterclasses, seminars and workshops.
The closing date for applications to join the programme in Autumn 2026 is Sunday 11. January 2026.